Mother Carey's Chickens by Kate Douglas Smith Wiggin
Author:Kate Douglas Smith Wiggin [Wiggin, Kate Douglas Smith]
Language: eng
Format: epub
Published: 2003-11-30T16:00:00+00:00
"And the white calf lying down under the maple; he's about the prettiest thing in the room," said Gilbert.
"We must just let it be and think it out," said Mother Carey. "Don't put any new paper on, now; there's plenty to do downstairs."
"I don't know 's I should particularly like to lay abed in this room," said Osh, his eyes roving about the chamber judicially. "I shouldn't hev no comfort ondressin' here, nohow; not with this mess o' live stock lookin' at me every minute, whatever I happened to be takin' off. I s'pose that rooster'd be right on to his job at sun-up! Well, he couldn't git ahead of Mis' Popham, that's one thing; so 't I shouldn't be any worse off 'n I be now! I don't get any too much good sleep as 't is! Mis' Popham makes me go to bed long afore I'm ready, so 't she can git the house shut up in good season; then 'bout 's soon's I've settled down an' bed one short nap she says, 'It's time you was up, Ossian!"'
"Mother! I have an idea!" cried Nancy suddenly, as Mr. Popham took his leave and the family went out into the hall. "Do you know who could make the walls look as they used to? My dear Olive Lord!"
"She's only sixteen!" objected Mrs. Carey.
"But she's a natural born genius! You wait and see the things she does!"
"Perhaps I could take her into town and get some suggestions or some instruction, with the proper materials," said Mrs. Carey, "and I suppose she could experiment on some small space behind the door, first?"
"Nothing that Olive does would ever be put behind anybody's door," Nancy answered decisively. "I'm not old enough to know anything about painting, of course (except that good landscapes ought not to be reversible like our Van Twiller), but there's something about Olive's pictures that makes you want to touch them and love them!"
So began the happiest, most wonderful, most fruitful autumn of Olive Lord's life, when she spent morning after morning in the painted chamber, refreshing its faded tints. Whoever had done the original work had done it lovingly and well, and Olive learned many a lesson while she was following the lines of the quaint houses, like those on old china, renewing the green of the feathery elms, or retracing and coloring the curious sampler trees that stood straight and stiff like sentinels in the corners of the room.
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